Resi is a writer, a woman and comes from a modest background. She has four children with the visual artist Sven and lives in the middle of the city, subletting a large apartment in an old building. Money is not so important to the family. They manage quite well.

It's only when their tenancy agreement is unexpectedly terminated that it hits Resi like a ton of bricks: they're out. Out of the apartment. Out of the city center. Out of the clique, whose more privileged members have long since moved on to their own properties. Suddenly Resi no longer finds herself an up-and-comer, but an outsider. She becomes the unwanted protagonist of a class struggle that she never really wanted to acknowledge. Perhaps she was stupid, naive, too gullible. Maybe she simply fell in?

Resi conquers her inner shame at the self-diagnosis of “lower class”. And then she is seized by rage. She is determined to enlighten her children now and turns directly to her eldest daughter Bea, whether she likes it or not. She talks about the promise of an alternative life and ending up in her own parents' everyday lives. About the dream of equal opportunities that was shattered at some point. About the self-empowerment that promises the individual the ability to realize their own ideals against all external superpowers.

Together with Anna Gschnitzer, Isabella Sedlak transforms Anke Stelling's multi-award-winning, caustic parable on social inequality and classism into a fast-paced, unconventional play.